Finally, I have convinced myself to try out the famous Kodak Ektar film, so I loaded a roll into my beloved Olympus OM 4 Ti. Unfortunately, the camera had other plans and the electronic circuits gave up at the middle of the roll.
In the end, I ended up rewinding the film and I loaded into the good old mechanical workhorse Yashica TL super. This process, however, leads to 2 consequences. Unsurprisingly I have got some nice double exposures, but most importantly I bought a bit worn Leica M2. At least I won’t have problems with the electronic parts of that camera.
I still haven’t given up the hope that the Olympus can be repaired at some point, but I generally lost my trust in these old electronic cameras.
The Ektar, on the other hand, is truly a gorgeous film which delivers everything that is written on its box. It is smooth, high resolution with fine grain and with rich deep colors and high contrast. My scanner is absolutely unable to extract all the possibilities of this film. I am very impressed by this film indeed, however, I find it not the best suited for portraits as it is too vivid. But it is only my impression based on less than a complete 36 frames roll so I might change my mind.
I am definitely going to experiment with the Ektar, but from now most likely with my “new” M2 and with a ZM Sonnar.
Finally, the Sun has returned to us and days are once again long enough for me to have a chance to enjoy the light even after working hours.
To celebrate this blessing I have finished shooting the roll of Velvia which I have started last October and now sharing with you. A mixture of my two favorite seasons, autumn and spring on the same roll in vivid colors. Isn’t it wonderful? I am truly being energized by the spring, and I hope you too. Go grab a camera and have at least as much fun taking photos as I do right now.
Hilmteich See ( Graz, Marc 2014), Pentacon Six TL, CZJ Biometar 80mm f/2.8, Fuji VelviaEszter & Anna (Hilmteich, Graz, Marc 2014), Pentacon Six TL, CZJ Biometar 80mm f/2.8, Fuji VelviaAnna (Graz, Marc 2014), Pentacon Six TL, CZJ Biometar 80mm f/2.8, Fuji VelviaEszter (Mariatrost , Graz, Oct 2013 ), Graz, Pentacon Six TL, CZJ Biometar 80mm f/2.8, Fuji VelviaEszter (Mariatrost, Graz, Oct 2013 ), Graz, Pentacon Six TL, CZJ Biometar 80mm f/2.8, Fuji Velvia(Hilmteich , Graz, Marc 2014), Pentacon Six TL, CZJ Biometar 80mm f/2.8, Fuji Velvia
Yet another quick post with little-written content but with a bunch of random snapshot images. This is what I end up with when I carry the same roll of film over weeks and only occasionally have a chance to shoot. I am basically on pilot light mode right now and really hope that the next year I can do something a bit more organized work. What I can book as an achievement though is that I could gather some courage and I asked a stranger for a portrait on a street again. It was a really nice experience and I am happy with the result, but you can judge yourself if you scroll down to the second photo.
This time I had my Olympus OM4 Ti in my bag in the last few weeks loaded with the same Ilford HP5 I used in the Kiev before. As usual, the film was developed and scanned by me.
If you followed the Camerajunky Facebook page you may have already read about my planned reunion with my beloved Kiev 4 camera after a long period in which it was hidden in a box. I really felt that I needed to use it again, and my recent discovery about the beauty of Ilford HP5 film gave me the final push to do so.
I don’t know why, but from time to time, I feel serious urge to go back to the basics and pick up a fully mechanical camera such as the Kiev and leave the sophisticated OM4 on the shelf. In addition, I really do like the character of the little Jupiter 8 lens. Especially the quality of the background blur it produces is really appealing to me. I know that many find it not so pleasing, but hey great things are usually dividing after all. It is not the sharpest nor the fastest lens I have ever touched, but an unmistakable character for sure. I also learned that the grain structure and tonality of the Ilford HP5 ISO 400 film is also very unique and close to me, so I thought, I should combine the unique lens with the unique film. I usually use lower sensitivity film so it could be that other medium speed films have similar characters as well. I guess I will need to try more. Until that, I leave you with some random but to me very catchy shots.
A photographer is never really putting down his camera, no matter what crazy thing she or he is doing for a living or filling the days with. Since we are not living in an ideal world, most of us have to face the limitation of time and availability of light in our everyday life.
But limitations are not necessarily bad things! They teach us to utilize our possibilities more creatively by forcing us to see and think in ways we would normally not choose to. This, of course, influences our work as well as ourselves and vice-versa. Eventually this feedback loop can contribute our personal and photographic development similarly to the way the ever-changing environment influences life forms and pushing them towards evolution.
Currently, my job is to sit in an office and convince computers to obey to the needs of their human masters. Making their lives easier by sending them nice, well formed and most importantly correct invoices. As interesting as it sounds, but it is somewhat fulfilling to my geek side which likes to brain wrestler with abstract problems.
But it makes my photographer side starve because the current situation has a very little room for photography. Especially now when the winter is coming. Days are shorter and shorter, so more and more frequently I end up to spend most of the hours filled with natural light in between walls in my natural working environment.
To overcome this obvious contradiction, I decided to make occasionally a “bring your giant medium format camera to work day“. I started to bug my colleges and taking portraits of them during lunch brakes or when I need to wait for my computer to finish a long-lasting blocking task.
The point is, you don’t need to stop being a photographer, just because the conditions are not ideal for the kind of photography you are normally up to. Try to get out the most of the situation and who knows this might drive you to completely unforeseen paths and discoveries.
Jogi, Pentacon Six TL, Carl Zeiss Jena Biometar 80mm, Fuji Across 100, Kodak D76, Canoscan 9900F
Jogi is a musician besides being a software engineer and in my opinion, they are making pretty cool music. Their website http://www.theflamingdugongs.at/ is not complete yet, but worth to have a look at.
Barbara, Pentacon Six TL, Carl Zeiss Jena Biometar 80mm, Fuji Across 100, Kodak D76, Canoscan 9900FJanez, Pentacon Six TL, Carl Zeiss Jena Biometar 120mm, Fuji Across 100, Kodak D76, Canoscan 9900FKyrylo, Pentacon Six TL, Carl Zeiss Jena Biometar 120mm, Fuji Across 100, Kodak D76, Canoscan 9900F
Kyrylo was so pleased with his portrait that he visited me at my desk (2 floors below his place) to shake my hands right after I sent it to him.
Hannes, Pentacon Six TL, Carl Zeiss Jena Biometar 80mm, Fuji Across 100, Kodak D76, Canoscan 9900FMarco, Pentacon Six TL, Carl Zeiss Jena Biometar 80mm, Ilford HP5, Kodak D76, Canoscan 9900F
Naturally, it is not my top priority to photograph at work, and I always make sure that this does not have any effect on my everyday responsibilities. It took me quite a while (about 2 months) to get these images. Though they are not perfect, I enjoyed taking them they are part of my journey.
camerajunky 